Showing posts with label Rick Remender. Show all posts
Showing posts with label Rick Remender. Show all posts

Monday, 28 April 2014

Captain America Vol. 1: Castaway in Dimension Z Book 1 (Marvel NOW!) Review


Captain America Vol. 1: Castaway in Dimension Z Book 1 (Marvel NOW!)

"When Captain America gives everbody
stinkeye!!!"
Writer: Rick Remender

Artist: John Romita Jr.

Collecting: Captain America #1-5

Background Information:

In previous iterations of Captain America, the star-spangled avenger faced some pretty ground-level threats. Recently, though, the Marvel NOW! initiative has taken a swathe of Marvel heroes and put them in new, status-quo-altering situations. For Cap, this means his stories are about to get a lot wierder

Review:

Castaway in Dimension Z has all the elements of a book I thought I would hate; it’s Captain America, who never really grabs my attention if he isn’t on the Avengers, it’s a story about alternate dimension, which is usually too weird for me (I even found DC’s Earth 2 hard to swallow) and it skips forward in time by a decade at one point.

But when reading this trade, I found the unthinkable happening: I was enjoying this book. In fact, I was really enjoying this book.

Okay, so in case the title doesn’t give it away, Captain America is trapped in an alternate dimension, caring for the stolen child of Arnim Zola, who I can only assume is an evil tellytubby (I’m not sure on the spelling, and that doesn’t bother me in the least) from mainland Europe. It sounds simple, but Castaway in Dimension Z  peppers it’s story with a tale form Steve Rogers’ rather terrible childhood, which adds plenty of extra complexity and character development.

Even more interesting, though, is seeing ol’ Cap become a father figure to Zola’s son, Ian. Ian’s a great character, and caring for him helps Captain America become a far more fleshed out character than he’s ever been before. As Steve protects Ian from all of the dangers of Dimension Z, writer Rick Remender somehow turns the WWII hero into an even better soldier, more hardened than previous versions of the character. It’s great to read and it actually makes me care about the super-soldier more than I did before. That’s not saying much, I realise, but I’m actually starting to like the guy now.

The book’s villain may look ridiculous, but both he and his daughter/sidekick feel very fleshed out in this volume. Zola’s hatred for Captain America evolves over time. He moves from simply hating the first avenger for opposing him, to believing that Steve killed his son to believing that Steve kidnapped his son out of some sick desire to torment him. It’s nice to see heroes progress and develop, but villain development is infinitely more satisfying. Zola’s Daughter Jet, also feels oddly fleshed out, considering she only makes major appearances in the last two issues.

My only problem with this story, is that the support characters, bar Ian, are bland beyond belief. I felt no remorse when they died, because the characters didn’t beg sympathy. Thankfully, the cast of supporting characters is kept to a minimum though, so they don’t exactly get in the way of things.

John Romita Jr’s art suits this weird new world like a glove. Harsh lines and exaggerated shapes abound here along with bold dark colours to make this whole world look strange and forboding. The book is littered with strange creatures as well as unfamiliar, alien landscapes. In short, you know you’re not in 616 anymore (note: 616 is the main Marvel universe). Usually, that would be a turnoff for me- you can only get so weird- but here it got me hooked. Each page feels like an act in exploration and it makes me wonder why I didn’t pick this book up sooner.

Castaway in Dimension Z Book 1 is a beautifully crafted book that takes a 90-year-old character and somehow keeps him feeling fresh. It gets a four and a half out of five evil telletubbies (seriously, how do you spell that?).

**** ½

+ Awesome Character development

+ Art presents a gorgeous new world

- Supporting cast is bland

Alternate Option: New Avengers: Everything Dies

Somehow Captain America is in the 616 universe as all of this unfolds. Heh, beats me.

Friday, 11 April 2014

Uncanny Avengers Vol.1: The Red Menace (Marvel NOW!) Review

Uncanny Avengers Vol. 1: The Red Shadow (Marvel NOW!)

"So, who's the tall guy taking this photo?"
"Shuddap, we're Avengers!"
Writer: Rick Remender

Artists:  John Cassidy, Oliver Copiel, Laura Martin.

Collects: Uncanny Avengers #1-5

Background Information:

Marvel NOW! really got kicked off by an event called Avengers Vs X-Men- it’s exactly what it sounds like. The X-men, through contact with the phoenix force (remember in the third X-Men movie how Jean Grey went nuts? It’s the force that makes that happen), became a little more nasty than usual and the Avengers, being the more popular franchise, save the day by defeating them.

Uncanny Avengers is the first official book of the Marvel NOW! line and focuses on the fallout of Avengers Vs X-Men. The world now hates mutants even more than they used to and the man most dedicated to stopping that, Charles Xavier, is dead.

Dead as a doornail.

A dead doornail.

Okay, I’m drifting off a bit. Back to the review!

Review

Much like Justice League in DC’s New 52, Uncanny Avengers is Marvel NOW!’s flagship title. And like  Justice League Vol. 1: Origin was enjoyable, but less-than stellar, The Red Shadow is entertaining, but ultimately feels like it’s going nowhere.

No matter what powers other heroes may
have, they'll NEVER be able to throw
Optimus Prime at bad guys.
So humans hate mutants. That’s bad, in case you were wondering. And you know what? Captain America thinks it’s bad to. So he assembles a group of Avengers made up of equal part mutants and superpowered humans- a symbol of human/mutant unity. In the meantime, though, WWII baddie the Red Skull has removed the brain of Charles Xavier and is forming his own team to spread hatred and intolerance for mutants.

Call it a spanner in the works.

Okay, so the first thing to like about The Red Shadow is the choice for the cast of characters. Rather than ride the wave of popularity that characters like Captain America and Thor, Uncanny Avengers really makes this book about the mutants; Cyclops’ brother, Havok takes centre stage as the leader of the new team, while the most character drama happens between Rogue and Scarlet Witch- two mutants who can’t trust each other as far as they can throw each other. Even Wolverine- who has been in both the Avengers and X-Men camps- plays a relatively small role. Don’t get me wrong, Captain America, Wolverine and Thor all have major moments in the book, but this isn’t their book by a long shot.

Choosing Havok as team leader was a really interesting choice. There are a ton of more popular characters in the X-Men that could have lead the team, Beast, Colossus, Storm, Iceman, Gambit, the list goes on, really. It was great to see writer Rick Remender utilise such a left field character and make him feel like he really mattered to the overall story. He goes from not being sure about his ability to lead the group to being annoyed when Captain America tries to lead the team behind his back. It’s a great amount of character development for someone who was always considered to be the less interesting of the Summers brothers.

However, the story feels like it doesn’t go anywhere. This has to be the only Marvel story I’ve ever read where Thor can go mad and attack the rest of the team, where Red Skull can drive the world’s population mad and it still somehow feels like it doesn’t amount to anything. The main story arc is over too soon, and for all of the character development, there’s nothing here that really hooks you on to the second issue.

Hey, you guys remember that story
that is much better than this one?
The art is also a problem here. It’s not bad, but Marvel NOW! has made its mark by letting each artist leaveHawkeye and All-New X-Men feels distinctive and looks fantastic. It seems strange, therefore, that the art in The Red Menace looks like typical comic book fare. This isn’t helped by the fact that Red Skull’s team is composed of possibly the ugliest, most ridiculous-looking supervillains that I have ever seen. Thankfully, some clever panel design alleviates some of the otherwise unspectacular art. One of the best scenes involves Red Skull describing his plans for mutant genocide against a scene that very closely resembles the classic cover of X-Men: Days of Future Past. It’s a nice touch that will resonate with older readers, even if new ones may be confused.
their own distinct mark on the series they work on really look distinctive. The art in books like

The Red Menace is a book with plenty of potential, but it’s far from the best first outing that Marvel NOW! could have had. It gets a four out of five dead doornails.

****

+ Nice to see an Avengers book that doesn’t focus on the main Avengers.

+ Choice of characters is spot on.

+ Havok makes an interesting leader.

- Art looks too standard to be interesting

- Some awful bad-guy designs.

Alternate Option: New Avengers: Everyone Dies


Another Marvel NOW! Avengers book, if you want another one.