Showing posts with label Thor. Show all posts
Showing posts with label Thor. Show all posts

Monday, 30 March 2015

My take on the feminism in comics debate, part 1: Female Thor


Hemsworth after shaving
There are two recent events in comics that have me scratching my head. Events headed, or praised, by people who profess feminism. The claim here is that totally approving of these events constitutes feminism, whereas anything but constitutes misogyny.

That’s a problematic dichotomy; mostly because feminism, in my understanding of the term, is a terribly diverse school of thought. You have feminists who complain that a sexualised character is “pandering to male desires” making arguments with feminists who may celebrate a character in her “strong, independent sexuality”. Many contemporary feminists argue that abortion is a woman’s right, but the founding feminists actually argued against it, claiming that it allowed men to have their way with women without having to face the responsibility of child-raising. It’s not a uniform position.

I’ve heard two major definitions of feminism in my time; one says that it’s about campaigning for the rights of women in a male-dominated society (fair enough), another says that it’s about empowering feminine qualities (eg. compassion, emotionality; also, fair enough).

My problem is, I’m not sure that either of these comic moments are feminist, by either definition. Let's start with the older moment first;

Feminist Thor

So, apparently, the new female Thor is outselling the previous Thor: God of Thunder. That’s good, I’m proud of them for revitalising the character and shaking up the status quo in a way that allows for Thor to be an essentially new character (though her identity hasn’t been revealed), and happy that it’s selling well. Shows bold decision-making pays off.

But the internet are calling female Thor a feminist.

Really?

I’m currently on the third issue of my Thor reading, and, honestly, I don’t see how she’s a feminist. According to either definition that I’ve listed above, I don’t think she is. Has she done anything that furthers the cause of women? Not by Thor #3, she hasn’t (even if it is a woman holding the hammer, other women don’t seem to benefit any more than they did from a male holding it). Has she empowered feminine attributes? Certainly none but the physical (she clearly has breasts- but those aren’t the attributes I have in mind). In fact, in terms of attitude, she’s almost indistinguishable from a male. If it weren’t for the female figure, I would have thought the new Thor was Peter Parker.

But then there’s this scene, which I know is in issue five, which seems to “make” her a feminist.


“THERE!” you say, “She defended feminism! That makes her a feminist!”

Does it?

I would argue no, she’s done nothing with that comment to help the plight of women or to empower the feminine. Yes, I know, she let's the Absorbing Man know that it was a woman who beat him, but that does little more than benefit her, rather that women in general. What she seems to be doing is approving and supporting feminism. That makes you a supporter of feminism; not a feminist by association. And that’s fine; I consider myself a feminism supporter even though I’ve done nothing to advance the role of women. I have other problems with the above scene, but that’s another article entirely. In the meantime, can’t we just be happy about the character being female without being a technical “feminist”?

Next time… I talk about the Batgirl cover. Yes, THAT Batgirl cover.

Monday, 21 April 2014

Thor God of Thunder Vol. 1: The God Butcher (Marvel NOW!) Review

Thor God of Thunder Vol. 1: The God Butcher (Marvel NOW!)
I tried coming up with a joke for this
one... but couldn't... it's an awesome,
unfunny cover.

Writer: Jason Aaron

Artist: Esad Ribic

Collecting: Thor God of Thunder #1-5

Background Information:

A few years ago, I would actually have had to explain who Thor was, but three movies later, most people already know who he is.

But in case you’ve missed those three movies, a cartoon series and the title of the book, Thor is the Norse god of thunder. That’s really all there is to him.

Review:

When people complain about Superman being overpowered, my reaction is generally “look at Thor!” I mean, the guy’s a god. In theory, any villain he therefore takes on, excluding another god, is going to be inferior, right?

Right?

Apparently, wrong. Actually, apparently; very wrong. The God Butcher centres on Thor’s investigation into the disappearance of gods all across the universe. Some has been killing these gods left right and centre, and it’s someone who directly affects Thor’s past, present and future.

Considering The God Butcher jumps around in time a lot, it’s surprisingly easy to follow. Thor looks and acts very different in each of his incarnations and that helps readers to distinguish which version of Thor they are reading about.

But the story does more than that; and actually makes some fairly interesting statements about belief and unbelief. The book’s villain, a nude Voldermort-looking character named Gorr is jaded by gods in general- what he thought he believed about the gods turned out to be false, and that sends him on a rampage against all the gods that he failed to understand. It’s a story that equally questions both devotion to deity and militant atheism. Too often, many comics seem to swing one way or the other and it’s good to see that writer Jason Aaron knows how to walk the thin line between the two. Gorr is a disillusioned believer, and all he did was discover the truth about the gods, but his behaviour is clearly villainous.

The only real problem with The God Butcher’s story is that Thor’s character feels like it doesn’t evolve as much as it should have. It’s disturbing, since most pages are given over only to Thor and Gorr. You would think five issues that are nearly exclusively devoted to Thor would have given the God of Thunder time to change his perspective on something, or learn some lesson about what it means to be a god, but that doesn’t happen.

But that is a very small complaint, as the relationship between Thor and Gorr is really what’s on display here. In a surprisingly short time, Aaron gives us a great view of the depth and breadth of Thor and Gorr’s conflict and just how it has played out over the ages. It’s impressive to consider that a story that covers the time between 893 AD- many millennia from now can seem as fully fleshed-out as this one is. Somehow, Aaron gives us a full, in-depth view of Thor’s relationship to Gorr without doing anything that would have detracted from the story. He doesn’t skimp on the action, doesn’t revert to talking heads, and doesn’t even make vague statements. By the end of the book, you start to wonder why the Thor movies have been wasting time with Loki when this guy seems like the biggest bad in Thor lore.

Esad Ribic’s art is some of the best that I’ve seen in a long time. Ribic’s style perfectly marries fantasy and sci-fi and it suits Thor perfectly. The hazed-over paints that abound in The God Butcher adds that perfect sense of mystery. I could not ask for better art in a Thor book and I’m glad I got in this one.


The God Butcher
is a near-perfect book, and an excellent example of why Marvel NOW! works. It gets a four and a half out of five nude Voldermorts.

**** ½

+ Deep statements about belief and unbelief

+ Thor and Gorrs story feels surprisingly fleshed-out

+ Beautiful art

- Thor’s character less developed than it could have been.

Monday, 23 December 2013

Ultimate Comics: The Ultimates, Vol 1


Ultimate Comics: The Ultimates, Volume 1

RUN! Run away from the giant Captain
America!
Writer: Jonathan Hickman

Artist: Esad Ribic

Read as trade paperback

Background Information:

By the time the 21st century rolled around, Marvel was in trouble. The 90s had not been kind the publishing house and the company was on the brink of bankruptcy. It sounds ridiculous now to think that the comic company that produced The Avengers would ever have been in such dire straits, but that was the reality of things. Marvel needed something big to bring in new readers.

That something big turned out to be Marvel’s Ultimate universe; a reboot of select Marvel titles specifically geared at reaching a new audience. It was a successful venture; Ultimate Spiderman was by far the star of the new universe and Ultimate X-Men started strong (even if it did tail out after the death of Magneto). When it came time to give readers an Ultimate Avengers, Marvel decided to shorten the title and call the entire team The Ultimates.

Fast forward into 2012, and it came time to retcon the Ultimate universe. It became Ultimate comics and featured, among other things, a black Hispanic Spiderman. Hence why I’m now reviewing a comic with the confusing title of Ultimate Comics: The Ultimates.

Review:

The first volume of The Ultimates opens with a group known as the Children of Tomorrow collectively deciding to venture out of the mechanical dome in which they have lived for generations. Here, this means taking over large sections of Europe. In doing so, the group discover Thor, who has joined the likes of Captain Britain on an attack on their city, and there things start to get complicated.

Those looking for the full Avengers cast as seen in the 2012 film are going to be disappointed. It’s really only Iron Man and Thor make a real appearance in this volume. Captain America makes a brief enough appearance to say he’s not joining the party, Black widow says some words, and Hawkeye lets some arrows loose once in a while. As such, The Ultimates really feels like it should have been titled Thor and Iron Man are the Best of Friends.

But Hickman does a really good job of that. Early on in the book, Yggdrasil, the life tree from which Thor draws his powers is destroyed, leaving him without his godly powers. Tony, being the good friend that he is, provides Thor with a suit that gives him a sort of synthetic version of his powers, which allows him to continue the fight. This is a nice moment; Thor shouldn’t try to take on the Children of Tomorrow  in his state, and Tony seems to know it, but he gives Thor the suit anyway. Considering how the Hollywood Avengers made Iron Man little more than a one-liner spitting mongrel, it was nice to see Tony Stark be the kind of guy who could actually be a friend.

But really, the star of this volume is Thor. Thor witnesses a lot that tears his world apart. Asgard is ransacked. The other gods are killed. Thor’s own son is destroyed inside the Yggdrasil tree. This pushes Thor over the edge. The god wants revenge and he doesn’t care if he dies in the process.

My biggest issue with the story is the way that Hickman writes the villains. I’m not really convinced that the Children of Tomorrow are the bad guys. They are the ones who are initially “attacked” by Captain Britain. Everything else they do seems more reactionary. They don’t seem to be seeking to destroy anyone, excluding the gods who they seem more to be counter-attacking than actually plotting to destroy. Their expansion into Europe doesn’t seem to cost the lives of anyone who isn’t already trying to fight them. Hickman writes them as sinister, yet I don’t really see it in the group’s actions. It’s a problem that’s only compounded by the non-existence of an ending to this volume. I personally buy collected editions to avoid cliffhanger non-endings that I would otherwise get in single issues, and that made this all the more disappointing.

Esad Ribic’s artwork is phenomenal. I’m picking up vibes of Alex Ross in much of the paints on each page. Though Ribic’s art is significantly more simple, he still manages to instil that visual awe that Ross was able in titles such as DC’s Justice. Tony Stark looks a little too slim for my liking and Hawkeye looks like a reject from Queer Eye for the Straight Guy but otherwise Ribic draws each character fairly well.  

By far the best thing about this book, at least is visual terms, is the cover art by Kaare Andrews. Andrew’s does these beautiful pieces that highlight characters more than events in the book. They are packed full of detail and a joy to look at.

Ultimate Comics: The Ultimates, Vol 1 is great to look at, but the story is (hopefully) not Hickman’s best work. I’m interested to see what he does with The Avengers in Marvel Now, but I hope his storytelling is a step up from what I saw here. The Ultimates gets a three out of five best friends.

***

+ Beautiful Art

+ Iron Man and Thor play off well together.

- The Villains don’t strike you as particularly evil.

- That awful cliffhanger non-ending.